Wednesday, June 8, 2016

Weight of Love Quilt

In February, I took the Weight of Love workshop by Libs Elliot. Libs has a very edgy aesthetic and when picking fabric for her class I was torn between a vibrant modern palette or a more sedate contemporary one. In the end I could not resist cutting into the fat quarter bundle of Peppered Cottons by Studio E fabrics that I had purchased. They are just stunning in person and provided much needed color therapy while I was working with them.


I decided to use the entire stack of fabrics rather than limiting the palette to just a few colors. These were my picks. In some cases I mapped 2-3 fabrics for the same color slot. 


Cutting up the hexagons was the easy part. Sewing them together was a slow process with all the Y-seams and it took some perseverance. In retrospect a loose weave shot cotton was perhaps not the right choice for a pattern that required precision cutting and piecing. I had to heavily starch some of the pieces to make them easier to handle. 


Once the top was done I decided to add in a few hexagons as background to complete the top. I had already made up my mind to hand quilt this one with Perle cotton. I used size 8 thread and a good Sashiko needle for this. From previous experience with another hand quilting project I decided not to use Warm and Natural cotton batting as it is really hard on the fingers. Instead I used Hobbs Thermore Ultra Thin Polyster batting. The needle went through like butter. I used about 6 different colors of DMC Perle cotton to quilt this one.




Finally I faced the quilt as I am currently into the no binding look. This is going to be a wall quilt for the most part so facing seemed to fit the bill.



Finishing this quilt has been very satisfying. I am going to miss working on it. Leaving off with a few more pictures.




Linking up to: Quilt Story

Thursday, June 2, 2016

Winged Block Bee Quilt

There is an immense sense of accomplishment as I work my way through my WIP list. I cannot describe the satisfaction of emptying a box with a half completed quilt and stacking the finished quilt on the shelf, ready to be used at any time.

This is my very first bee quilt from a bee that I participated with the Central New Jersey Modern Quilt Guild. Inspired by this tutorial on Amy Friend's  blog During Quiet Time, I had given each bee member a fussy cut floral center and matching scraps to construct the block. The finished block size is 12" x 12". For the background I picked Quilter's Linen in Sand by Robert Kaufman. I love the texture of the fabric.

I got back 11 blocks and had to make 5 more for a 4 x 4 square quilt. Three years later I got to the task and finally put the blocks together.



Since the quilt top is really busy I kept the quilting simple and just echoed the blocks. This gives it the perfect texture for daily use.





Once again a scrappy quilt needs scrappy binding, here is to using up binding scraps! For the backing I used a green polka dot flannel I had been hoarding for a while now. Glad to finally put it to use.



This is one of the few quilts I have made that photographs well and I went a bit crazy with the pictures. Oh well here goes.



Even my trusty sidekick wanted to get in on the action and did not loose much time getting comfortable.



I love how this quilt turned out and it will be a great reminder of friends who were instrumental in initiating me to modern quilting. I am ever so grateful!

Sunday, May 22, 2016

AMH Feather Bee Quilt

In January of 2014 I had requested AMH feather blocks in jewel tone colors from my bee mates as part of the Scrapbeelicious bee. I promptly received the blocks by fall of that year, however the completion of the project was put on the back burner. This year as I tackle my ever growing WIP list, it was time to see this project to completion.

I decided to align the blocks in the center of the quilt and add low volume fabric on the sides to get to a respectable full size bed quilt. 


I had two extra blocks which I adjusted on the back with assorted low volume fabrics from my stash.


For the quilting, I fell back on my go to square stipple pattern. I love the texture it produces. It covers the quilt quite densely but at the same time leaves it soft enough for everyday use.




 A scrappy quilt calls for scrappy binding. This was a great opportunity to use up my collection of leftover binding from the previous quilts. Unfortunately I still have enough to bind a few more quilts. :)


I love how the feathers pop in the neutral background. While I was taking pictures of the quilt my neighbor even commented that from a distance it looked as if the feathers were stuck on the wall as the background blend with the exterior paint color. Hmm maybe I should convince them they need a mural on their wall. ;)


This quilt has a great homey feel to it and look forward to snuggling under it while I remember all the lovely quilty friends who made it possible. Very thankful for each one of you.